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      <image:title>Strange Lights</image:title>
      <image:caption>Perry Roth (saxophone) &amp; Elisabeth Tomczyk (piano) rehearsing the work for me in Hartford, CT. February 2020.</image:caption>
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      <image:title>Hole in the Floor</image:title>
      <image:caption>Left to Right: Cellist Wesley Hornpetrie, violist Lindzy Volk, Me, cellist Hanna Rumora, and cellist Josh DeVries giving a performance of the original instrumentation at Bløm Meadworks in Ann Arbor. August 2018.</image:caption>
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      <image:title>Let Everything Ring</image:title>
      <image:caption>Me with Grand Band pianists after the premiere. November 2018. Photo by Muriel Steinke.</image:caption>
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      <image:title>Contrasting Movements</image:title>
      <image:caption>All performance and composer fellows from the Norfolk Chamber Music Festival New Music Workshop after the premiere of all six works. Also pictured are Festival faculty/mentors Martin Bresnick, Lisa Moore, and Julian Pellicano. June 2018.</image:caption>
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      <image:title>About an Elegy</image:title>
      <image:caption>All six composer fellows from the Soundstreams Emerging Composers Workshop (now called RBC Bridges) with the Rolston String Quartet after the final performance.</image:caption>
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    <lastmod>2020-05-16</lastmod>
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      <image:title>too bright to see</image:title>
      <image:caption>Photo of the poem “Too Bright to See” from All of it Singing New and Selected Poems, by Linda Gregg.</image:caption>
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      <image:caption>Jeffrey, me, and Elias after the Tanglewood Music Center premiere.</image:caption>
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      <image:title>Cello Music - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Harrietlehre - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>too bright to see - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - Rehearsing "Every Thing Belongs"</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - RCSQ + Harriet After First Rehearsal</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - Dress Rehearsal at Tew Recital Hall</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - UNCG Livestream after the premiere!</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - New UNCG Tshirt!</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - Group photo after UNCG Saxophone Repertoire Class</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - After UNCG Workshop with Student Ensemble</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - After UNCG Workshop with student Miranda Henry</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - UNCG Composition Seminar Presentation</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - Lecturing at UNCG</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - After Duke Workshop</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - Selfie with Red Clay Event Posters at Duke</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - Another selfie after rehearsal</image:title>
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      <image:title>Red Clay Saxophone Quartet - 2024 Residency and Premiere Week - All Composers after Duke Concert - John Supko, Jennifer Higdon, and me after Duke performance</image:title>
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      <image:title>Orchestra Portfolio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Orchestra Portfolio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Orchestra Portfolio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.harrietsteinke.com/composer-journal-winter2025</loc>
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    <lastmod>2025-05-02</lastmod>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - World Premiere of Chris Theofanidis’s gauzy and shimmering Clarinet Concerto “Indigo Heaven” with&amp;nbsp;the Chicago Symphony&amp;nbsp;and Steve Williamson, March 2025.</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Post concert selfie in Chicago with composers Chris Theofanidis &amp;amp; Sean Shepherd</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b44c5f6372b96d17800849a/1746205303742-L4ID28DHBD8TZG6UUSKO/IMG_3877.jpeg</image:loc>
      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Hearing Alessandra Lynch read from her new poetry book “Wish Ave” at Hungry Brain Chicago, February 2025.</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Romantic Valentine’s Day concert by&amp;nbsp;Eighth Blackbird&amp;nbsp;and Shara Nova&amp;nbsp;at&amp;nbsp;the Athenaeum in Chicago</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - A trip to Indianapolis to visit my teacher and one of my favorite composers the ineffable Michael Schelle, December 2024.</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Another Indianapolis composer &amp;amp; friend Rob Funkhouser wonders how a Shen Yun poster made it to his front door, December 2024.</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Me with composers Jennifer Higdon and John Supko after the Red Clay Saxophone Quartet's premiere of my piece "Every Thing Belongs" and other new works!! November 2024.</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - My sister and I at the Metropolitan Opera in NYC in November. November 2024.</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Presenting my music for the UNCG Composition Studio. November 2024.</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Post-Concert with Sam Wu and the extraordinary vocalist Melisa Bonetti who sang both of our works</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Preparing for a group photo at National Sawdust with the other NextGen composers before our concert</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - National Sawdust in NYC</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Taking my bow with conductor Kazem Abdullah after the Beth Morrison Projects' showcase in NYC</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Mammoth Trio performs Martin Bresnick’s music at&amp;nbsp;the DIA (Detroit Institute of Arts) featuring Lisa Moore, Ashley Bathgate, and Martin off to the side</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Dinner with poet and friend Alessandra Lynch in Indianapolis</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Composer Mark Engebretson taught me how to make an old fashioned cocktail during my two week Duke/UNCG Residency</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Rehearsals for "Time Machines" at Bowling Green State University, April 2025.</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - Introducing my new band piece at BGSU, April 2025.</image:title>
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      <image:title>Composer Journal / Fall &amp; Winter 24-25 - How many composers fit into an elevator?</image:title>
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